Inputs Connectors: Female XLR and 1/4” TRS (Pin 2 and tip hot) Type: Electronically balanced/unbalanced, RF filtered Impedance: Balanced >26 k½, unbalanced >13 k½ Max Input Level: >+24 dBu balanced or unbalanced CMRR: >40 dB, typically >55 dB at 1 kHz Input Gain Range: -° to +16 dB MIDI: 5-Pin DIN MIDI Input Jack Outputs Connectors: Male XLR and 1/4” TRS (Pin 2 and tip hot) Type: Servo-balanced/unbalanced, RF filtered Impedance: Balanced 120 ½, unbalanced 60 ½ Max Output Level: >+21dBu balanced/unbalanced into 2k½ or greater >+20dBm balanced/unbalanced (into 600½) Output Gain Range: -° to +16 dB MIDI: 5-Pin DIN MIDI Out/Thru Jack A-D System Performance A-D Conversion: 24-bit, dbx Type IV™ Conversion System Convertor Dynamic Range: 109 dB typical, A-weighted, 22 kHz bandwidth 107 dB typical, unweighted, 22 kHz bandwidth Type IV™ Dynamic Range: Up to 122 dB with transient material, A-weighted, 22 kHz bandwidth Up to 120 dB with transient material, unweighted, 22 kHz bandwidth Typically 114 dB with program material, A-weighted, 22 kHz bandwidth Typically 112 dB with program material, unweighted, 22 kHz bandwidth THD+Noise: 0.002% typical at +4 dBu, 1 kHz, input gain at 0 dB Frequency Response: 20 Hz to 20 kHz, +0/-0.5 dB Interchannel Crosstalk: < -85 dB at 1 kHz, input gain at 0 dB D-A System Performance D-A Conversion: 24-bit Dynamic Range: 105 dB typical, A-weighted, 22 kHz bandwidth 102 dB typical, unweighted, 22 kHz bandwidth THD+Noise: 0.002% typical at +4 dBu, 1 kHz, output gain at 0 dB Frequency Response: 20 Hz to 20 kHz, +0/-0.5 dB Interchannel Crosstalk: < -85 dB at 1 kHz, output gain at 0 dB Compressor Controls: Variable Threshold, Ratio, Manual Attack/Hold/Release, Auto Attack/Hold/Release, Output Gain, Selectable Hard Knee or OverEasy® with adjustable VariKnee™ Limiter Controls: Variable Threshold, Attack, Release Expander/Gate Controls: Variable Threshold, Ratio, Attack, Hold, Release Transient Capture Mode™ Control: Variable TCM™ Time (delay time) in 10 microsecond increments up to 3 milliseconds De-Esser Type: Wideband gain reduction Controls: Variable Frequency, Amount Parametric EQ Type: 3-Band, Fully Parametric, Fully Overlapping over the audio band Switchable location in-line with the audio path or in-line with the internal sidechain Controls: Variable Frequency, Q, Gain General Stereo Coupling: True RMS Power Summing™ Sampling Frequencies: 44.1 or 48 kHz
Inputs Female Balanced XLR Impedance Balanced >15k Ohms Max. Input level +26dBu balanced Outputs Male Balanced XLR Impedance Balanced 100 Ohms Max. Output Level +26 dBu Global Specifications Frequency Response <10 Hz to >90 kHz, +0/-3 dB Signal to Noise (Ref +4 dBu), 22 Hz to 22 kHz, un-weighted 90dB high out, mid 90dB, low 94dB, all outs >100dB muted. CMRR Min.40dB, >55 dB @ 1 kHz Crossover Crossdover Type Linkwitz-Riley, 24 dB/Octave Crossover 1 Channel 1 35 to 800Hz 350 to 8kHz / with 10X multiplier 18 to 400Hz /4 Way Low Mode Crossover 1 Channel 2 35 to 800Hz 350 to 8kHz / with 10X multiplier Crossover 2 Channel 1 350 to 8kHz 175 to 4kHz /4 Way Low Mode Crossover 2 Channel 2 350 to 8kHz 700 to 8kHz /4 Way Low Mode Function Switches Front Panel High Pass Filter -3dB @ 15Hz 3 pole, 18dB/Octave Mute for individual outputs Phase Inverts the phase of the individual output CD EQ Corrects constant directivity horn frequencies above 3.5 kHz Limiter engages limiter for all outputs Mono Sub Sends the low frequency signal from both inputs to both low outputs Modes Stereo 2 Way Stereo 3 Way Mono 4 Way Mono 4 Way Low Operating Frequencies Ch 1 A 35Hz to 800Hz X1 or 350Hz to 8KHz 35Hz to 800Hz X1 or 350Hz to 8KHz 35Hz to 800Hz 18Hz to 400Hz Operating Frequencies Ch 1B 350Hz to 8KHz 350Hz to 8KHz 350Hz to 8KHz 175Hz to 4KHz Operating Frequencies Ch 2 A 35Hz to 800Hz X1 or 350Hz to 8KHz 35Hz to 800Hz X1 or 350Hz to 8KHz Operating Frequencies Ch 2B 350Hz to 8KHz 350Hz to 8KHz 350Hz to 8KHz 700Hz to 8KHz